Robert Cray has been bridging the lines between blues, soul and R&B for the past four decades, with five Grammy wins and over 20 acclaimed albums. For his latest project, Robert Cray & Hi Rhythm (April 28 / Jay-Vee Records), the Blues Hall of Famer traveled to Memphis with his friend, renowned Grammy Award winning producer Steve Jordan, to make a classic soul album with Hi Rhythm, the band that helped create that sound. Jordan and Cray met in 1987 while working on the concert film Hail! Wind Loading Handbook For Australia Visa. Rock and Roll, a tribute to Chuck Berry.

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Steve produced Robert’s Grammy winning Take Your Shoes Off in 1999, and a number of other albums, including the exciting 4 Nights of 40 Years Live. He knew of Robert’s deep love of O.V. Vsp Classic Keygen Mac. Wright and other Memphis soul legends, and suggested they take up residence at Royal Studios, where Wright, Ann Peebles, Al Green, Syl Johnson, Otis Clay and many others recorded with the venerable producer, songwriter, arranger and engineer, Willie Mitchell.

The core of Mitchell’s Hi Rhythm band used on many of those landmark sessions was still around, though Mitchell himself had passed in 2010. Set inside an old theater, the funky Royal Studios looks much as it did when Al Green was cutting those classics for Hi Records. Guitarist Teenie Hodges has passed away, but his brothers Rev. Charles Hodges (organ and piano) and Leroy “Flick” Hodges (bass), along with cousin Archie “Hubbie” Turner (keyboards), were still there. “It was a soul, rhythm and blues, fantasy camp for us. Those guys have been playing in that room for 50 years,” says Jordan. Robert penned “You Had My Heart” and “The Way We Are,” two stunning love songs.

Many timeless soul songs were statements in a time of turmoil, and so it is again with Cray’s “Just How Low.” The album opens with a driving, soulful version of Bill Withers’ “The Same Love That Made Me Laugh” that sounds as if it was originally from an old Hi Rhythm recording. Jay-Vee Records knows it’s very lucky to have these powerful songs. When Robert chose two Tony Joe White songs for the album, White, a big fan of Cray, came up from Nashville to sit in. First up is the moving ballad “Aspen, Colorado” (the sister song of his “Rainy Night in Georgia”).

The other end of the spectrum is the swirling psychedelia of “Don’t Steal My Love.” The tribute to O.V. Wright and Hi Rhythm is the horn-driven version of “You Must Believe in Yourself.” Known for writing “Mustang Sally” and many other songs, Sir Mac Rice’s “I Don’t Care” follows on the album with an unforgettable hook, and Rice’s funky “Honey Bad” features more guitar brilliance from Cray. Moving into early R&B from the 5 Royales, Robert performs “I’m With You Pt. 1” then turns the guitar loose on “I’m With You Pt 2.” “Robert is a great person besides an extraordinary talent,” says Steve. “People gravitate to his guitar playing first, but I think he’s one of the best singers I’ve heard in my life.

Not only because of his singing ability, but his interpretations. He’s an honest soul.” About Robert Cray: Growing up in the Northwest, Robert Cray listened to the gospel of the Five Blind Boys of Mississippi, Bobby Bland’s soul, Jimi Hendrix’s rock guitar and the Beatles pop sounds. He would bring all of the influences into play throughout his career, but his teenage band was captivated by Southern Soul and the blues. “In the early days of the band we were getting back into O.V. Wright and paying attention to my favorite blues players; Buddy Guy, Otis Rush, Albert King and especially Albert Collins,” Cray says. The Texas-born blues guitarist known as Master of the Telecaster, Albert Collins, sealed the deal on the Cray Band’s early direction. The musical highlight of Cray’s senior year was his class voting to bring Collins in to play a graduation party.