The Barry Harris Workshop Great bebop. Interesting learning materials derived from The Barry Harris Workshop DVD and Barry Harris. Jazz Standards PDF for.

Jazz Workshop Classes and Schedule Location 244 Rehearsal Studios, NY 244 W. 10th Floor, New York, NY 10019, USA Phone: (212) 586-9056 When Classes are held each Tuesday (Occasional closure due to Holidays or rescheduled classes) Workshops Fee $45.00 registration per year and $10.00 per Tuesday evening (Unregistered students will be charged $15.00 per weekly class) Piano Class 6:00 P. The Betrayal Harold Pinter Pdf Writer. M. (Basics & Advanced Harmonic Movement and Theory) Vocal Class 7:30 P.M. To 10:00 P.M. (Ear-training, Improvisation and Theory) Improvisation Class 10:00 P.M.

To 12:00 A. Create Txf File Quickbooks 2016. M. (Improvisation and Theory for all Instruments).

Barry Harris is part of an exceptional crew of Detroit-bred jazz musicians, including and, who rose through the extraordinary arts education program in the public school system during the 1930s and 1940s. Harris' earliest musical mentor was a church piano-playing mother who exposed him to piano lessons at age four. He became seriously immersed in jazz in the mid-1940s and fell under the spell of Thelonious Monk, Charlie Parker, and Bud Powell. As a professional, he would become a key translator of Monk's music. Detroit was blessed with a high-energy jazz scene during the 1940s, and Harris was house pianist at one of the hottest spots, the Blue Bird Lounge. At the Blue Bird and later at the Rouge, he backed such traveling soloists as, Wardell Gray,, Sonny Stitt,, and Lester Young. Displaying an early interest in passing the torch through education, Harris began teaching his bebop theories as early as 1956, tutoring young talent such as.

It is a tradition he has carried on throughout his life. At the urging of Cannonball Adderley, Harris left Detroit in 1960 and moved to New York. In addition to Adderley, Harris found work in the 1960s and 1970s with fellow Detroiter, Charles McPherson, and Coleman Hawkins. In addition to sideman work, Harris led various trios and duos at piano bars and restaurants around New York. He also began to get work as an arranger and composer, showing a particular adeptness for his treatment of strings.

A consummate freelancer, he found work in a variety of diverse settings and continued to play, inaugurating the Lincoln Center's Penthouse piano series in 1997. By the early 1980s, Harris' acumen as a teacher and mentor to developing pianists had become legendary. He was able to expand these interests when he opened the Jazz Cultural Center in 1982 on Eighth Avenue in Manhattan.

The Center served as workshop, educational facility, and performance space for Harris and his affiliated artists, but unfortunately only lasted until 1987. Harris soldiered on, though, continuing to teach and mentor young musicians, holding weekly workshop sessions in New York City for aspiring performers. He also continues to present and produce annual multimedia concert spectaculars at places like Symphony Space and the Manhattan Center in New York. Selected Discography Chasin' The Bird, Original Jazz Classics, 1962 Barry Harris Plays Tadd Dameron, Classics, 1975 For The Moment, Uptown, 1984 Live at Maybeck Recital Hall, Vol. 1 & 2, Concord, 1990 Live from New York, Vol 1, Lineage, 2004.